-L 'peak-
If the 1994 had laid the foundation for the success of the next two years was incredible for each band was born in Albion. Groups without even a big box office successes with hard assets of a single individual who opened the doors Pharaonic contracts and world tours, following the death of Cobain England had officially taken the scepter of driving music.
These were also the years of exasperation Blur-Oasis comparison that reached peak exaggerated and excessive.
Elastica-Elastica (1995)
If we had made the Hole Courtney Love to exploit the wave of "alternative-grunge" because the rubber bands, a band of Justin Frischmann, Damon Albarn's girlfriend of the time, they should not have benefited from the explosion brit?
fact, even the rubber bands we made it, were in particular individual "Line Up" and "Connection" to make him get their 15 minutes, before disappearing from the shelves. This self-titled debut is not without significant moments but compared to the outputs of the time is decidedly less interesting and accomplished.
-Supergrass I Should Coco (1995)
masterpiece The first weblog was the 1995 debut of Supergrass, the band of Oxford in about 40 minutes he managed to sum up the roots of English music and beat them in the face of the listener bastardized, with imaginative rhythms and irresistible choruses. We move from wider markedly punk and garage, marches and pop digressions. Cool songs like "I'd Like To Know," "Alright" "Strange Ones", "Sofa (Of My Lethargy)" are an example of the timeless beauty of this LP, which unfortunately had to give way, at least in terms of sales, Oasis and Blur.
The Veve-A Northern Soul (1995)
Not yet part of the landscape which will be among the last to keep the flag, the Verve with their second album away from the shoegaze of the early to head slightly towards the psychedelic Brit-pop that will make them famous in the next "Urban Hymns". The single "This Is Music" and "On Your Own" are prefiguring the great soul ballads of impression that will be among the cornerstones of the next disc and were sealed with the mutual respect between Ashcroft and Noel Gallagher.
Blur-The Great Escape (1995)
repeat a masterpiece that has sold a quantity of copies unthinkable is always a complicated undertaking. The proposal is true to the previous "Parklife" but it looks decidedly less bright, it seems that the turn is a more obvious choice when a strong eclecticism in the arrangements at the cost of maintenance of the skeleton of the pieces. Do not miss the undisputed masterpieces such as the opener, "Country House", "Charmless Man" and "The Universal" that drive the highest on record levels.
Oasis-(What's The Story) Morning Glory (1995)
The second album of the group led by Gallagher is the turnaround of the whole Brit-pop.
unparalleled commercial success (at the moment is above the 20 million copies), compared to the previous production has much more to the standards of sales and individuals who remain in the history of pop music: "Wonderwall" and "Don 't Look Back In Anger "and brit pop" Champagne Supernova, "" Some Might Say ". Going
aspect of music, this record feels for the first time in markedly the influence of the Fab Four that flows inevitably on the arrangements and distancing himself from the simplicity of onset.
Pulp-Different Class (1995)
If the world is Oasis to be the Brit-pop, the reality is that the group most blatantly British entire movement were the Pulp Jarvis Cocker. Different Class is a masterpiece, the maturation from the former "His N Hers" is unprecedented, are marcatissime the ironic drama, romance geezer. The presence of hymns "Mis-Shapes", "Common People" and "Disco 2000" brought the band to be the attraction of the memorable Glasbury concert in 1995.
Ash-1977 (1996)
also slipped to their strength in cauldron weblog UK, Northern Ireland Ash went up to the honor of Cronch with their official debut with an approach that combines teen brit, power pop and punk. The formula is simple and long distances especially in the energy opener winning "Lose Control", the emotional "Goldfinger" and the gooey single "Girls From Mars" and the hilarious and powerful "Kung Fu".
Manic Street Preachers-Everything Must Go (1996)
The disappearance of Richey James forced the manics to a considerable change of sound, luckily for them this coincided with their commercial success and, with a working-class (for many the most successful of the band) . A strong orchestration steals space to riff abrasive onset, airy melodies replace the haunting cries ruled that "The Holy Bible", the lyrics are still very inspired (many which still is the hand of the late Richey). Of note, "A Design For Life" which became the symbol of working-class.
Suede-Coming Up (1996) The third
album of the godfathers of the movement of Brit-pop nothing like the previous two. Coming Up, which at the time was called "party album" in the same Brett Anderson (vocals), shows us a band that knows how to do it again, definitely glam up a line on the edge of kitsch to tell the truth, you play a disc full ritornelloni of breathtaking risfondano the charts and remind everyone who had raised all this media fuss.
Kula Shaker-K
Masterpiece of the border, a pastiche of '70s rock, '60s psychedelia and brit pop. K, preceded by a couple of hit singles, the album quickly became more sold after a week of release since "Definitely Maybe". Among irresistible rhythmic, almost funk, a clumsy but prophetic singing, riffs and abrasive vocals hippies, the listener is transported into a universe filled with magnificent views anthemic rock and pop digressions mystical trip to Woodstock.
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