won the Oscar for best foreign film overturning the predictions of the eve and will be released in Italy in June this Argentinian film set in the courtrooms of Buenos Aires between the '70s and today. Part yellow / thriller, part melodrama of love, the film focuses on the first part of the investigative aspect, the second in the emotional aftermath that the story leaves the characters, but lost the rhythm and the carbonation (?) That the onset had thanks to a comical sidekick coming out gradually stage towards the end of the film.
In fact, even from a perspective of depth and pathos of the characters change, when you leave the movie strays a bit more to go 'in the rhetoric, culminating in the disgraceful happy ending-but when the moments of melodrama are stuck or embedded in rhythmic sequences such as the thrilling sequence in the stadium plan, the effect is much better for both the one for the other two of the scales. Wanting to be cynical you could say that the film stands up to the underlying theme of man stuck in time is supported by the detective story, and goes limp when it recedes into the background, and would also be true, although all in all, thanks mainly to the skill of the actors, the collapse is not as vertical and not so bitter aftertaste.
Das Weisse Band was better, but these adventures of the impersonator of senior Muccino defend themselves from.
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