Not only did it take a year to get it out in the hall (in the U.S. only for now), it took me several months to remedy a decent torrent, subtitles, and to date there are only in Danish, Swedish, Norwegian and Finnish, and this despite the doom could not stop myself from watching Rick Linklater's latest film, which, of course, proved to be a half alone. Zac Efron plays a kid who finds himself involved in the production of Giulio Cesare Mercury Theater under the despotic supervision of a young Orson Welles, NY in a pre-Citizen Kane and pre-war.
Now, I do not know if in fact the era of classic Hollywood had been banned from America seriously pastel colors and all were dressed only in ocher and burgundy, cream, brown, gray and so on, but I know for sure I broke the balls of this type of stereotyping that leaves photo from Radio Days and Purple Rose Of Cairo, passing through, I do not know, Far From Heaven and come here without restraint to annoy our eyes, fuck, even the poster is not so! Very annoying
also tended to keep the car on the move and strolls to the floor of the rooms in sequence, just to make the director aware of, and between one thing and another Visually the film is tedious, banal, redundant, and if there was Claire Danes in the first part, before her character becomes a bitch, literally lights up the screen with every movement of his upper lip, half would be disaster. His
actorial and other benefits (not to Zac Efron, who should be much more Dobbler Lloyd and instead is a dandy cast on) pop up a little 'things, and generally as a celebration of the magic of the movie theater is nice / interesting and culminates in a beautiful sequence of representation that is cathartic as required and also looks good, but overall the movie is neither particularly sweet and addictive nor brilliant / funny; maybe the expectations are particularly severe since the film is easily watchable-but-short, Linklater has made us accustomed to other standards, it seems fair to point out when it reaches them.
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